Mrs CannibalRabbit and I shuffled into the City a few months ago to see the Mary and Max exhibition [^] at the ACMI [^]. Mary and Max [^] is the story of a trans-Atlantic pen friendship between Melbourne girl Mary, and New Yorker, Max, which spans twenty years. The free show has many of the props, sets and characters used to make Adam Elliot’s stopmotion claymation movie. The items on display were salvaged at the end of filming, the rest being destroyed. Also on display are making-of videos and interviews with Adam.
Even though we haven’t seen the film we both enjoyed seeing how it was made and seeing some of the behind the scenes tricks. The teasers we saw at ACMI have been good; now we just have to sit down and watch the DVD.
The exhibition runs until Sunday 6th June 2010. Coming up later in the year is a Tim Burton exhibition, covering all of his work up to Alice in Wonderland.
Animal Privacy
A lecturer in film studies from the University of East Anglia believes that animals have a right to privacy [^]. The lecturer, Brett Mills, was stirred into action by the BBC documentary “Nature’s Great Events”.
Mr Mills has said that acts that animals retreat from the public eye to perform should stay private. He is also concerned about whether animals are capable of giving consent to having their privacy breached. It seems as though Mr Mills is anthropomorphising, assigning human characteristics or feelings to these animals. It must be remembered that the producers of these programs attempt to limit their impact on the creatures involved in order to obtain as natural a representation as possible.
Seeing animals in their natural environment, and trying to engage the general public in their plight is all part of a growing awareness of environmental issues. Without ground-breaking programs like Life on Earth and Nature’s Great Events the world would be in a much worse state than it is.
Besides there isn’t very much that hasn’t been covered on mainstream television in the human arena, between normal documentaries and Big Brother type “reality” television. And there is scope for debate about informed consent, and how the participants are portrayed with creative editing. This would be a much better focus for ethics in film making.
In the quest for privacy perhaps we should recognise the human right properly first in the modern surveillance state with mobile phone tracking and the profusion of CCTV.