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Vivid Sydney

Sydney hosted the Vivid festival [^] from 27th May to 13th June 2011, “a festival of light music and ideas”.

Luckily it was on while we were in Sydney for Mrs CannibalRabbit and a friend to Mary Poppins the Musical. That gave me something to do while they were Supercalifragilisticexpialidocious-ing and Chim-Chiminey-ing. That was a hike along the length of the Sydney CBD in the rain! But it was worth it.

One thing that would have been nice was a tripod, but we were travelling light – carry-on luggage only. With a bit improvisation I got some reasonable photos, most of them using the Sydney Harbour Bridge to lean the camera on. Circular Quay was just teeming with people, all trying to take photos so the extra height from the Bridge helped.

Vivid Sydney Opera House

Miniature Looking Monster Truck Rally

Keith Loutit has mastered the art of making real-life look like miniature.  By using tilt-shift lenses, and speeded-up frame-rates Keith has managed to make a collection of everday scene look like they are models.  The latest “Metal Heart” [^] is of a monster truck rally in the US.

Metal Heart from Keith Loutit on Vimeo.

Check out Keith’s work [^] on the online video-sharing site,  Along with the High Definition version of this video, there are also a couple of videos shot around Sydney Harbour.

Sydney & Old Photos

Have you ever wanted to make your photos look old.  There are plenty of guides out there on the web for doing this in Photoshop and other high-power and high-cost photo editing applications.  But there is a one-stop website offering the same service in seconds – all Wanokoto does is create antique photos [^] – and it does it well.

CannibalRabbit Sydney old Queen Victoria Old

This aged photo of the Queen Victoria in Circular Quay has a much better impact.  I like how the modern lines of the Queen Victoria seem so out of place in the otherwise mid-20th Century setting. 

Over at CannibalRabbit we have some more present day photos of the Queen Victoria, the Queen Elizabeth 2, and their crossing.

Sydney Censorship – Henson Follow-Up

Brizbunny has had two big posts here on the whole Henson Teen Photos controversy; original post here, and further explanation of some of the issues as we see them here.  With the events over the past couple of weeks a follow-up post is called for.

No Prosecution.

The NSW Director of Public Prosecutions has advised that there is little chance of the NSW Police managing a successful prosecution.  In light of this the police have now dropped the case against the gallery and Bill Henson. 

The NSW Assistant Commissioner of Police, Catherine Burn noted that the case was a result of complaints received, which the police were obliged to investigate.  As part of the investigation the photographs were seized, as possible evidence, from the gallery.  The photographs have now been returned to the gallery and the exhibition has re-opened.

This is a case of the police acting in the manner in which they are obliged to under the law; they received a complaint, investigated the complaint, and seized evidence that would support any prosecution.  Once an investigation had been conducted and it was clear that a conviction was unlikely to be obtained they returned the evidence.  There was no attempt at censorship, it was a case of the police doing what they are paid to do.

The collapse of the prosecution case is centred around the concept of the “sexual context”.  As far as the law is concern nudity is not a sexual context; it is this that separates nudity from pornography.  No matter what anyone’s concerns are this is the law, and Henson’s work appears to be within the law.

Gallery Response.

The gallery responded to the news by announcing that the exhibition would go ahead.  However there is a twist, on re-opening the exhibition was open to appointments only, and the appointments were vetted by the owner. 

Before the police raid on the gallery the Henson exhibition was open to the public, with the more explicit work available in a private area for serious buyers.  Was this in attempt to keep the non art-lover’s away, and make sure that only appropriate people could see the material that would not be appreciated by the general public. 

The exhibition is now closed, and likely to head overseas.

Links: Sydney Morning Herald [^], [^], The Australian [^].

Sydney Censorship – Part 2

When I originally posted  the Sydney Censorship post I thought that it was one of those passing things.  And I had in the back of my mind that I was going to need another post in reserve ready to bump it down from the top of the home page.  Well I was wrong, and the whole thing just gets bigger and bigger.  A brief re-cap: 20 photo’s of a naked 13 year-old girl by an “internationally acclaimed” Australian photographer in a Sydney art gallery were seized by NSW Police.  There has been even more media coverage and social commentary on the issue over the past week.

Henson Raid - Photo: Sahlan Hayes

Artists Speak Out

It seems that a loud portion of Australia’s artistic community have come out in support of Bill Henson.  This has included a large portion of the 2020 Creative Stream.  This support comes in the form of an open letter that can be found on Alison Croggon’s Blog – Theatre Notes  [^]

This letter is probably the best argued defence of Mr Henson’s work that I have seen.  The signatories to the letter go out of their way to make the point that they in no way condone the production of child pornography.  The main point that is made is that there is a difference between the naked and nude.  A nude is not designed to titillate, it is a celebration of the human-form.

The letter acknowledges the need to public debate, but questions the suitability of the courts as an appropriate forum.  They also note that there is “a trend of encroaching censorship” that has resulted in a number of exhibitions being cancelled or closed.  The artists also believe that the current furore is at least partly down to media sensationalism; and we have seen an overwhelmingly disapproving stance in all of the mainstream media.


Both side of the Australian political spectrum have now weighed in on the topic.  The Prime Minister, Labor’s Kevin Rudd, originally said that he found the photo’s “absolutely revolting”.  After facing criticism from various artists Mr Rudd said:

“I gave my reaction, I stand by that reaction and I don’t apologise for it and I won’t be changing it”  The Age [^]

On the other side of politics, the Liberal Opposition Treasury Spokesman, Malcolm Turnbull, has come out in support of the arts community.  Mr Turnbull has confirmed that he owns two works by Henson, neither of which shows any nudity.  Mr Turnbull has said:

“I don’t believe that we should have policemen invading art galleries … we have a culture of great artistic freedom in this country and I don’t believe the vice-squad’s role is to go into art galleries.”  The Australian [^]

In his defence, the Shadow Treasurer has mentioned that he has not seen the photos in question.  But how can anyone comment on “artistic freedom” like this without seeing at least a sample of the work in question.

However on the same side of politics, Mr Tony Abbott, a member of the shadow cabinet, has said:

But from what I’ve heard they seem like pretty confronting images … Now, I am just not sure that we really need that kind of thing to further freedom of expression, … I mean shocking people is all very well. But I don’t think we need to be shocked by everything. I think some things are off limits.  Lateline 28 May 2008 [^]

Doses this count as bi-partisan support of the condemnation of Bill Henson’s work; if so, a have an amazing meeting of political minds.

Henson History

Bill Henson has been producing photographs of a similar nature to the ones seized, for at least the past 15 years (The Age [^]).  Mr Henson’s work is generally well regarded within the artistic community, with his work being prominently displayed in all of the major Australian collections and at a number of major international galleries.  By all accounts some of his earlier work was of an even more confronting nature.  Yet this is the first time that his work has courted this degree of controversy. 

The key point here is that if this current series of works are offensive or illegal, then the prior works almost certainly are.  Yet no action has been taken on those earlier works, and yet there has been no major change in legislation.  Does this mean that society’s attitude towards this teen nudity has shifted so dramatically over this comparatively short period of time?  Or are the general public and the media evaluating art from their own tainted perspective.

Double Standards

I have one point here: if I had taken the photo’s and attempted to have them displayed at a gallery – I would have been charged – no questions asked!  During Lateline Tony Abbott made the same point:

I guess, my problem here is the double standard. I mean, if I had on my computer the kind of images that were in that gallery, I’d be interviewed by the police and quite possibly face charges. Now, if it’s pornography on my computer, why isn’t it pornography in the gallery? That’s the question that I ask.  Lateline 28/05/08 [^]

Now if even a politician can realise double standards when he sees them, why can’t the artists?

The Children

In all of this discussion we need to remember one thing above everything else; the children.  Now the children involved will not only have the memory of the photo shoot.  They will have the constant thought in the back of their minds that these photos could resurface at any time in their future lives – how damaging could that be to a career, or indeed an entire life.  If this case goes to court, the children will suffer further indignities and media coverage.  But that is not a reason for the authorities not to pursue the case if there are legal grounds for it.

We have no issues with artistic freedom in it’s own right, however ‘artistic merit’ can never be a legal defence in this sort of case.  There is one condition, the model should be willing and able to give informed consent.  My questions to Mr Turnbull would be: How would you feel if the subject was your daughter?  Would this have any impact on your child’s future, if she were in the same position? 

This surely is a set of circumstances where what is good for one child is good for all children.  We, as a society need to protect our children, photographs of naked children regardless of the intended consumption as art will still give those with a lesser purposes access to this material.  The other question, or the flip-side of the same question, is have we as a society become so entrenched in a move to protect our children that we see evil in in every image, and malicious intent in every action?

CannibalRabbit Says

What I hope that I have done is illustrate that there are a whole host of issues at play in this case.  It is a case that can all too easily be summarised into a couple of media friendly sound bites, and under-informed discussion.  In most cases most people commenting on this art work have not seen the work that they are commenting on.  Here at we have not seen Mr Henson’s work, but hopefully we have presented a reasonably well argued position, and enough information for others to make an informed decision on.

It has been said that the way to judge a society is by the way that it treats it weakest and most vulnerable members.  This case has had nationwide coverage, and no doubt some coverage overseas; what does it say about Australia?  I do not think that that is an image we want to portray on a world stage!

We need clarity on whether we as a society allow others to take photographs of nude or naked children – in the name of “art” or for any other purpose.  Nude and naked, artistic freedom and sexualised images are all subjective terms that keep on coming up in this case.  The law is not clear as long as it relies on non-objective measures, and this case has made it obvious this lack of clarity is detrimental to all concerned.  The artist has no clear defence for his work, now or in the future, and the people trying to look after the interests of the child have  hazy ground to prosecute or restrict the distribution of the photos.  The current law or added clarity on nudity for minors cannot be seen as censorship, it is society establishing a boundary that set-out what is and is not acceptable behaviour for it’s members.  It also offers protection for the well-being of those least able to protect or speak-out for themselves.